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Organizer
Laylah Amatullah Barrayn is a photographer, curator, and writer whose work explores Black diasporic communities, cultures, and memory across the African diaspora. Born and raised in Brownsville, Brooklyn, with familial roots in South Carolina, she has worked as a photographer for more than 25 years.
Barrayn is the author of MFON: Women Photographers of the African Diaspora and We Are Present: 2020 in Portraits, with a third book on Black photographers forthcoming. Her photography and writing have appeared in The New York Times, The Washington Post, National Geographic, BBC, and The Guardian, as well as in books including Reflections in Black: A Reframing, Photography: A Feminist History, and Dandy Lion: The Black Dandy and Street Style, among other titles. Her work has been exhibited nationally and internationally at the Brighton Photo Biennial (UK), the Bamako Encounters African Photography Biennial, MoMA PS1, the Museum of the City of New York, and the Museum of the African Diaspora (MoAD) in San Francisco, among others.
She teaches photography at Rutgers University–Newark and at the International Center of Photography, and is a graduate of New York University.
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Organizer
Emilie Boone is an assistant professor of African American/African Diaspora Arts in the Department of Art History at New York University. She researches the art and visual culture of the African Diaspora with a focus on vernacular photography and global encounters. Following the publication of A Nimble Arc: James Van Der Zee and Photography (Duke University Press, 2023), Boone is currently advancing a manuscript tentatively titled, Haiti Chooses You: Notes on a Caribbean History of Photography. This project examines how Haiti, and its history of photography, can illuminate the nature of photography’s sweeping force on various interlocutors across time.